On Friday night, a friend and I did our best to fuel the economy by going to see The Proposal, starring Sandra Bullock and Ryan Reynolds.
As Lilit has mentioned before, Reynolds plays the assistant to Bullock’s tough as nails (and maybe a little emotionally damaged) publishing executive. When there’s a mix up involving her visa, she coerces him into marrying her in order to avoid being deported and (SPOILER ALERT) they ultimately fall in love. Like you didn’t see that one coming.

As any good tyrranical boss would, Bullock uses her best tools to get Reynolds to marry her: intimidation and abuse. Until, that is — and here’s where the ranks of assistants who went to see this movie undoubtably went “Hell yes!” — he realizes that the assistant/boss power dynamic has shifted in his favor. This, along with their amazing chemistry, provides fodder for some extremely gratifying interplay when they visit his family for the weekend.
Pete Chiarelli, the film’s screenwriter, worked as an assistant after grad school but didn’t have a terrible experience of his own to draw from:
The idea came from me working in Hollywood, but isn’t autobiographical. Although I did work as an assistant to a woman, she was a very cool boss. However, I did have a lot of friends who worked for horrible bosses, men and women who were completely self-centered and tyrannical. But what struck me is that it paid for these bosses to be this way, it paid off for them professionally. It made sense for them to be an asshole. So, what would happen if you took one of these bosses out of their environment and forced them to act like a real human being?
What if, indeed.
I am one of the seven people in America who didn’t go to see “The Dark Knight” this weekend. Luckily, the always-reliable 
